Baltimore art scene is cool

A person who appears to be ambling aimlessly, but is secretly in search of adventure.
The Golden Triangle Business Improvement District is commissioning designs for bicycle racks that can double as public art throughout the 42 blocks of the area.
The designs are supposed to be both functional and artistically compelling, according to the BID. The deadline for submissions is Feb. 9.
Selected designers will receive $1,500 and a Saturday night stay for two at the Mayflower Hotel.
The BID has made a number of recent efforts to improve the area’s streetscape, such as commissioning public art for the Farragut North Metro Station and a tree-lined median for Connecticut Avenue now in development.
Art plays a pivotal role in creating cultural momentum. The MANIFEST HOPE: DC Gallery celebrates that role and shines a spotlight on artists who use their voices to amplify and motivate the grassroots movement that carried President-Elect Barack Obama to victory.
MANIFEST HOPE: DC gathers together a diverse array of the nation’s most talented visual artists under one roof to mark this monumental achievement in our nation’s history and encourages artists and activists to maintain the momentum to bring about true change in the United States.
Along with its partners, MoveOn.org Political Action, the Service Employees International Union and Obey Giant, MANIFEST HOPE: DC, will issue an inspiring visual call-to-action, encouraging a redirection of public energy toward true reform in three key areas:
Health Care
ReformWorkers’ Rights
The Green Economy
The MANIFEST HOPE: DC Gallery will be open to the public in Washington, DC for the days preceding the Presidential Inauguration, Saturday, January 17th, 2009 through Monday, January 19th, 2009 between the hours of 10:00 AM - 6:00 PM.
Singh was one of the countless New Delhi residents who experienced contemporary public art for the first time, thanks to a festival that has not only raised questions about accepted definitions of art, but also highlighted the challenges in preserving India's ecological heritage amid rapid urban development.
. . .
"Public space is shrinking in this city, and we are trying to reclaim and reengage with it through art," said Pooja Sood, curator of the public art extravaganza, which ends Sunday. "We broke through prevailing social, cultural and political barriers to bring contemporary art out of the elitist, white-cube galleries."
To be sure, the sport has remained in many ways about women’s empowerment. The women who built the first modern league on their own hard labor called their company Bad Girl Good Woman Productions. Their brand of roller derby found its audience by trading the unintentional kitsch of earlier incarnations for an appeal to the do-it-yourself generation. Modern skaters dress in costume, adopt stripper-type stage names and endure sexually suggestive penalties, but they also deliver real hits, mind the business end of their leagues and disassemble their skate tracks by hand at the end of each competition.. . .
“There’s no other sport out there that’s specifically for women, that allows them to be sexy and aggressive at the same time,” said Audrey Butera, 36, who skates under the name Ali Mony for the Rhinestone Cowgirls in Austin.
The New Yorker's Peter Schjeldahl picks ten best art shows in 2008. I don't know if they were the best, but I like his choices.
Those two teenagers belong to a new generation of women who are shaking up the professional surfing establishment. Most are still in high school and remain a few years from competing full-time for prize money. But with a combination of powerful moves and progressive aerials, they have signaled a new era of performance in the sport.
1 - To upend the relationship between public and artist set forth in Hans Urlich Obrist's Do It project, while...
2 - ...Inverting the dynamic between performer and audience, literally performing on audience command, thereby...
3 - ...Changing the role of the audience as art consumers to participatory producers of the artwork, and...
4 - ...Closing the gap between the artist's studio as a site of labor and the gallery space as a site of viewership, through...
5 - ...Engaging Web 2.0 technologies (blogsites, Twitter, webcams) as mediums for collaborative expression, deflating the notion of the individual as Author, while...
6 - ...Exposing the influence that the demands and desires of the art market has on the artwork produced by artists today
In Washington's urban lofts and condos, it's often impossible to have a dedicated room for sleepovers. Art promoter and blogger Philippa Hughes turned her two-bedroom condo near the U Street NW corridor into a one-bedroom to create a more spacious living room. She still has two full bathrooms, but the guest tub has become a storage area. "My guests get to sleep on a fancy Ligne Roset couch, which is very cool," Hughes says. "But they have to use my shower. Over Thanksgiving I had two guests: One slept on the sofa, and one slept on a blowup mattress on the floor that she brought herself." Hughes hasn't committed her sofa to anyone for the inauguration yet; she's still debating whether to rent out her condo.
“I’ve always sort of liked that there were two of me—the person people think I am and the person I actually am.”
Art museum rules:See more about it in the New York Post.
No running.
No smoking.
No eating.
No drinking.
No cell phones.
Please note that jumping is not prohibited--a bureaucratic oversight that 26-year-old Allison Reimus takes full advantage of.
The Party Girl
Art guru Philippa Hughes had the chance to be an arm's-length philanthropist, but chose to get down and dirty with the scene instead. Now, the patron saint of local artists is hailed as DC's go-to gal for making things happen and pulling off the boldest expos in the city. Whether she's showcasing graffiti art in Arlington, invading the Lee Jensen Brake Shop in DC, rolling with Roller Derby girls at an art opening or manning standing-room-only panels at Artomatic, Hughes will do just about anything for the area's bubbling art set. "About a year ago, I realized there was a real hunger in DC for somebody to put everything together," she says, happy to have stepped up to the plate. Up next, she's gearing for the March show of her latest faves, Ann Tarantino and Kate McGraw at Flashpoint, and the revamp of her own nonprofit The Pink Line Project, with a website that will soon feature a calendar of DC's latest and greatest in the Beltway.